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One of the most influential artists of our time, Mike Kelley (1954- 2012) produced a body of innovative work mining American popular culture as well as modernist and postmodernist art - relentless examinations of subjectivity and of society that are both sinister and ecstatic. With a wide range of media, Kelleys work explores themes as varied as post-punk politics, religious systems, social class, and repressed memory. Using architectural models to represent schools he attended, his 1995 work, Educational Complex, presents forgotten spaces as frames for private trauma, real or imagined. The works implications are at once miniature and massive. In this book, John Miller offers an illustrated examination of this milestone work that marked a significant change in Kelleys practice.
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