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Over the past few decades, French filmmaker Olivier Assayas has become a powerful force in contemporary cinema. Between his first feature Désordre (1986) and such major works as LEau froide, Irma Vep, Les Destinées Sentimentales, demonlover and, most recently, LHeure dété and Carlos, he has charted an exciting path, strongly embracing narrative and character and simultaneously dealing with the fragmentary reality of life in a global economy. He also brought a fresh perspective to the problem of politics after 68, a subject that he revisits in his memoir A Post-May Adolescence (published as a companion book to this volume) and in his most recent film Apr
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