Spedizione gratuita per ordini superiori a 69,99 euro.

Controllare lo stato dell'ordine

Entra a far parte di una comunità di amanti dei libri di tutto il mondo e ottieni numerosi vantaggi. Crea un account gratuito

Spedizione gratuita con Packeta per un prezzo superiore a 69.99 €

Corriere Bartolini 4.49 € Punto Poste 5.49 € Punto Poste 5.49 € Punto Bartolini 3.49 € Corriere DHL 6.99 € Corriere GLS 5.99 € Punto GLS 4.49 €

Contatto

Come acquistare

Aiuto

Il mio account

▸ Vuoto :-(

Spedizione gratuita per ordini superiori a 69,99 euro.

Re-making it New

Name: Re-making it New
Brand: Cambridge University Press
SKU: 02021904
Price: 55.79 EUR
Availability: InStock
Author: Lynn Keller
ISBN: 9780521106771

Contemporary American Poetry and the Modernist Tradition

Lynn Keller

Lingua

Inglese

Libro In brossura

Codice Libristo: 02021904

Casa editrice Cambridge University Press, aprile 2009

As a tradition modernism has fostered particularly polarised impulses - though the great modernist p... Descrizione completa

Codice Libristo: 02021904

137 b

55.79 €

Magazzino esterno Inviamo tra 10-18 giorni

Fino a 30 giorni per il reso

I clienti hanno acquistato anche

P. Vergili Maronis Opera 2 Volume Paperback Set Otto Ribbeck

In brossura

82.59 €

Qualitat und Quantitat Stephan Schulz

In brossura

16.89 €

Myšlenky pod polštář Courtney Peppernell

In brossura

11.99 €

Massenspektrometrie Herbert Budzikiewicz

Adobe ePub DRM

46.39 €

Pieśń miecza Cornwell Bernard

Rigido

16.79 €

Revue britannique Sébastien-Louis Saulnier

In brossura

39.99 €

As a tradition modernism has fostered particularly polarised impulses - though the great modernist poems offer impressive models, modernist principles, epitomised in Ezra Pound's exhortation to 'make it new', encourage poets to reject the methods of their immediate predecessors. Re-making it New explores the impact of this polarised tradition on contemporary American poets by examining the careers of John Ashbery, Elizabeth Bishop, Robert Creeley and James Merrill. To demonstrate how these four have extended modernist attitudes to create a distinctive post-modern art, each one's poetry is compared with that of a modernist who has been an important influence: Ashbery is discussed in conjunction with Wallace Stevens, Bishop with Marianne Moore, Creeley with William Carlos Williams and Merrill with W. H. Auden. Lynn Keller's book shows that contemporary poets have chosen not to reach for order as their modernist predecessors did; instead, they attempt to dissolve hierarchical distinction and polarising categories in a modest spirit of accommodation and acceptance.