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Inglese
86 b
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Fragments of the Israeli experience are pieced together in this provocative essay to provide a socio-anthropo-logical agenda for some of the issues involved in the manufacturing of items of symbolic solidarity and common national imagery in an epoch of social disunification and cultural pastiche. The author argues that even though the aesthetic forms of major cultural idioms have unrecognizably altered and are accommodated to befit the shape and style of postmodern living, the basic programs underlying them have remained immutable. Furthermore, it is the quality of adaptability to changing aesthetic conventions that allows such symbolic cornerstones to be left unturned. The case of youth culture is chosen here as a yardstick for examining the double voice of such processes - the global versus the tribal.
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